Ride Hamilton's Katrina Photography

Katrina

Photographs

        Katrina Photos

(Click on each picture or the above text menus for the photograph galleries)

I live here, in New Orleans. I was in the city and Gulf Coast every single day from before

Katrina, to its landfall, to its aftermath. I lived the months it was without regular food,

water, electricity. I know what we all in the Gulf Coast survived through.

I have travelled from New Orleans to Mississippi to Texas to Plaquemines to St. Bernard

and Jefferson Parish to cover every aspect of the storm with tenderness, intimacy,

integrity, and honesty.

This is a small sample from 30,000 photographs taken since just before Katrina made

landfall.

I continue to work closely and side-by-side with first responders, residents, government

leaders, and volunteers to capture their stories in photographs and video. Working

alongside the heroes, residents, and people afftected by Katrina, allows an intimate and

detailed portrait to be made. I have been on body recovery with Urban Search and

Rescue, and in the destroyed houses of victims, and in the morgue with the coroners, and

in airplanes and boats looking over the disappearing wetlands.

Many journalists only spend 15 minutes with a person, often at a distance and without

their consent or permission. They often do not credit or tell the full story of their subject,

and twist words and events around to make it dramatic enough to sell a million

newspapers or make the evening news. This angers me as a fellow journalist. As I always

believe the truth is dramatic enough, and those directly involved in disasters from first

responders to residents deserve their whole story to be told, with their own words, with

the only agenda being to let the world know who these real people are - and that they are

often heroes, in big ways and small ways, from rescuing hundreds to helping hammer in

a new roof on a new house.

I spend many hours, and sometimes weeks with each person and group, so I may hear

their story, from their mouths, and so the world may know them as personally as I do -

their name, their face, their contribution to the Katrina story. I do not look for

controversial or sensational topics as other reporters do. I look for who these people are

inside, the hard work they do, how they have suffered yet continue to carry on and help

others - be it first responder or resident.

If they are a firefighter, I ride in the truck with them - if it is a volunteer, I often put

down my camera and help hammer in nails - if it is a resident, I help them dig through

debris looking for cherished items - whoever they are, whatever it is, I help carry

equipment, belongings, tools, and get dirty with them all. I share lunch and dinner, and

even eventually share personal stories only friends share.

I become friends with all I photograph. This is extremely important to me, to earn the

trust of all involved. Very few photojournalists earn this respect from their subjects. To

me, it is a sign of a job well done. That we can all agree that the story is told properly.

And that the person involved, is proud to hang the pictures I have taken of them and

their job, on their walls at home.

I live here, and I see the hard work done on all levels from all people, and the courage so

many have inside of them. This is what I capture.

Ride Hamilton

Photojournalist

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What are these interviews used for?

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All materials go to the Louisiana State Museum Archives

Selected materials will be in the 2009 Louisiana State Permanent Katrina Museum in the Cabildo in the French Quarter

Selected materials have/will appear in books and magazines, printed and online

Selected materials have/will appear in documentaries, in theaters, television, online, and DVD

Selected materials have/will appear in museum exhibitions around the world.

Selected stories will comprise a non-fiction screenplay and movie.

Film Agent: Matthew Guma, New York

Publications, Ect.: Anthem Magazine, Consumer Affairs, Ogden Museum, Louisiana State Museum, Texas Lutheran

University, Various Newspapers, Etc.

All work is currently NON-PROFIT. I invest my own personal savings into this work, because I firmly believe in telling the

real and personal stories of the people affected by this tragedy, and receive almost no financial re-imbursement, and

donate much of it to help further the knowledge of what happened during and after Katrina and Rita.